Monday, September 30, 2013

METALLICA: THROUGH THE NEVER 3D




Directed by: Nimród Antal
Starring: Dane DeHaan, Metallica
Running time: 93 minutes

The greatest heavy metal band in this planet deserves an epic treatment. This time with 3D and IMAX 3D experience where metal heads everywhere can witness and watch the epic roar of James Hethfield, Kirk Hammett, Robert Trujillo and Lars Ulrich. Just like any other concert movies, it is hard to judge this film.

If you are not a Metallica fan, you'd rather skip this film. It has no explanation for non fans, but full with inner Metallica reference. Two third of this film is the concert, and it is unlike any concert. To maximize the use of 3D, the props, pyro and laser were brought in to make an experience as if the viewers were at the front row of the concert itself.

While the other one third is a surreal adventure of a young Leonardo DiCaprio lookalike (Dane DeHaan) as a roadie for Metallica. This silent roadie has to fuel a truck in an unknown place while stuck between a battle between cops and rioters, plus a demon outside the arena. Unleashing barrage of their hits, this is a must-see concert movie, for the experience alone.

The technical aspect is amazing. 3D enhance the experience, the visual depth is also something. This is a tasteful 3D movie, not being a whore by throwing everything at the screen to wow the audience. Some might wonder what is the connection between the concert and the roadie's adventure. I myself cannot comment on the surreal scenes of the roadie intertwined with the concert since it is too surreal.
 
Perhaps it is inspired by the song lyrics or Metallica's history or perhaps DeHaan's appearance is to make a reach for younger generation who are still wearing diapers as The Unforgiven released. However his acting is good, and I liked the fact that he had no dialogue at all, it makes the mystery and solidify Metallica's brand. I also liked that this one is R-Rated, it does not hold back but unleash the power of creativity.

One cannot refuse to acknowledge that the charisma of the four members itself add a certain quality. Nimrod Antal is the master of puppets here and he proves that he can pull some strings. So is it a good film? Off course it is since I am a Metallica fan. With Metallica, the apocalypse never sounded so good.


Thursday, September 26, 2013

THE KINGS OF SUMMER


 
Directed by: Jordan Vogt-Roberts
Starring: Gabriel Basso, Moises Arias, Nick Robinson
Runtime: 95 mins

I have no idea why 15 year old teenager who comes from a middle class family with no history of domestic abuse want to flee the warmth and comfort of their house. Perhaps it's a phase in their life where they do not want to do chores or willing to live like an adult (as they become an adult who has to pay bills and stuff, they wanted to get back to the old days) under the blue sky.

However the comfort of the house most people in the third world countries dream off does not make Joe Toy (Nick Robinson) happy. He hated is controlling father and ask Patrick (Gabriel Basso), his best friend to run away and built a house in the forest. Then a weird kid named Biaggio (Moises Arias) tag along.

Together they built a house from scraps. I have no idea why a bunch of 15 year old has the ability to built a somewhat decent house, perhaps they Google it first. The forest itself is not a wild forest, it is more like a city forest where they can take a 10 minute stroll to the nearest supermarket. Together they live in the forest with many ups and downs, until one girl come along. It is a lesson of being an adult and a phase they will not forget for the rest of their lives.

Lighter than Mud and Stand By Me, this is an entertaining coming of age movie suitable for everyone. The comedy is not gross but enough. Another plus point is the use of indie soundtrack with a nice montage to help with the story. This Sundance hit is something you do not want to miss on the Original Soundtrack section at the recording store (who still buys original recording? Oh people I think). What I like is that the actors are not famous (not yet) so it gives the sense of natural and believability.